Smokin'
Several months ago, I acquired a couple of large rolls of orange canvas that once served as awning material at the local Ulta cosmetics store. This painting was created on my last piece of the pumpkin colored canvas. Because the canvas was treated to survive the elements, it was very difficult to get the paint to adhere to it. As I found myself coaxing the color onto the resistant surface, I was reminded of the application of cosmetics and our culture's obsession with youth and beauty.
2021 (3' x 4') Price: $1,500 |
Natural Selection
Even Charles Darwin recognized that there were instances of such extravagant beauty that they could not be explained by natural selection. What is it that makes the parts of a thing combine in a way that is ultimately pleasing to the one experiencing it? Do artists consciously consider this as they create? Not all art is beautiful. But there is a kind of beauty to be found in successful art--an appreciation that transcends the parts that make the whole. And it is the job of the artist to combine the parts in a way that helps the viewer make the leap to transcendence. This one is from a series of partially obscured portraits I painted during the masking of Covid. Sometimes I like to frame a little painting like this in a heavy frame. It seems to bring out the vibrant colors and draw the eye to the piece. 2021 (8" x 10" plus frame) Price: $150 |
Pointillism Frida
Frida's life and culture were so rich in color, and an interesting combination of simplicity and complexity marked her relationships as well as her art. My goal with this little portrait was to capture her essence, almost as though viewing her at the molecular level. I used jewel toned acrylics and metallic paint in a pointillist style.
2021 (8" x 10") Price: $150 |
Whiskey-A-Go-Go
Go-Go dancers originated in the early 1960s when women began to get up on tables to dance the twist in nightclubs. Some claim that this idea first came about at the popular L.A. rock club, Whiskey A Go-Go. Many of the patrons wore mini skirts and knee-high, high-heeled boots that came to be known as go-go boots. I remember getting my first pair of go-go boots. I was in the third grade. I guess growing up during this time made quite an impact on me, because I have always been drawn to the fashion and decor of the period. This particular Go-Go girl was painted on the dictionary page "E is for Epic." It is from a series of partially obscured portraits I painted during the masking of Covid.
2021 (8" x 10") Price: $150 |
Behind the Butterfly Mask
During the Covid lockdown, I painted a series of paintings that were thematically linked by masks. What began as a physical response to being behind the mask, quickly morphed into an exploration of hiding one’s true nature, and to being silenced. This painting employs the butterfly, a common symbol of transformation, as the mask. This is an appropriate metaphor for my work, as every piece of art I make changes me. The butterfly is also used to signify creativity. And since wearing a mask is a way to hide something, it could be said that I hide behind my creativity--I use it to say things I am not willing to verbalize.
2021 (8" x 10" plus frame) Price: $150 |
A Song For You
This painting was created on the sheet music from "A Song for You," by Donny Hathaway which was originally recorded in 1970 by Leon Russell, a song which has been called an American classic by Elton John. The painting features an elegant woman stepping out of her car on a city street. Hathaway writes, "I've been so many places in my life and time. I've sung a lot of songs. I've made some bad rhymes..." I thought it was a good fit for this image, because she has such a lovely, melancholy look on her face. I have always loved this song. It has a wonderful narrative quality, and yet it doesn't really relate the details of the story, much like this painting.
2021 (14" x 18" plus frame) Price: $275 |
It's Too Late
Carole King's sad, break-up song, which was the cornerstone for her well known Tapestry album in 1971, provides the background for this piece. She writes, "There'll be good times again for me and you. But we just can't stay together, don't you feel it too? Still I'm glad for what we had and how I once loved you." The song was considered to have feminist overtones since the woman was the one leaving. In each of these music paintings, the background is a blur and the story is told through the body language of the people.
2021 (14" x 18" plus frame) Price: $275 |
I'll See You in My Dreams
Everybody's Talkin'
This series, titled Background Music, features women in urban settings and was inspired by fashion photos of the early to mid 20th century. With each one I tried to imagine that there is music playing as the action takes place. This stunning lady seems to be swimming upstream in this narrative painting, obviously being observed and perhaps judged. It was created on pages of sheet music from the Harry Nilsson song, "Everybody's Talkin'." As the song says, "People stopping, staring. I can't see their faces. Only the shadows of their eyes." The inspiration is from a vintage Vogue fashion shoot on the streets and sidewalks of Russia.
2020 (14" x 18" plus frame) Price: $275 |
Possession
Possession is from my women reading series. It features the Lady of the Lake, who is holding Merlin enthralled with the words from his own book of magic spells. It is painted on pages from A.S. Byatt's novel, Possession. The image is a detail from the painting on the cover of the book.
2021 (24" x 36") Price: $900 SOLD |
Brilliant
Brilliant II
I have painted this platinum blond flapper in a variety of settings. She is most widely known locally as the subject of a large painting that hangs at Grant's restaurant in the 100 year old Monticello Hotel. The portrait is painted on pages from Renee Rosen's book, Dollface: A Novel of the Roaring Twenties.
2021 (11" x 14" plus frame) Price: $400 |
Mother and Child
This piece was inspired by the work of Massimo Stanzione, an Italian Baroque painter who lived and worked in Naples in the early 1600s. I was drawn to his work by the dramatic illumination, which borders almost on violence with the way the shadows threaten to take over the composition. This one was painted with a particular type of luminescent paint that interacts with LED lights, adding an extra bit of shimmer to the faces and fabrics. The mother and child portrait is painted on pages from B. A. Shapiro's art history mystery, The Collector's Apprentice.
2021 (24" x 36") Price: $900 SOLD |
AstroGirl
Growing up in the '60s, I just assumed I would eventually drive a flying car and maybe live on a space station by the time I was an adult. This Pop Art portrait was inspired by a photo of model Jean Shrimpton that appeared in Harper's Bazaar in 1965. Seeing her in a vintage space suit reminded me of my childhood and watching the space program develop. When painting this image, I changed the colors to red, white and blue in a sort of recognition of the current space program, and all of the women and men throughout my lifetime who have accomplished incredible feats, often without public recognition or even awareness. I also liked the juxtaposition of the model's glamorous face with the suit made of industrial materials.
2020 (24" x 36") Price: $750 SOLD |
Two Amelias: Pretty and Gritty
I first painted the "pretty" version of Amelia Earhart, frankly because I was surprised that she was so beautiful. And then I came across a photo of her looking quite fierce. She must have been fierce to do what she did. Both versions are painted on pages from vintage magazines published in 1937, the year she vanished in her plane.
A few words of explanation" The phrase "wolf poison" appears on the pretty piece. This is from an ad for savings bonds, which were promoted as a way to keep the wolf from the door. That made me think about what she risked, as opposed to working in a factory or an office. Images of a woman toiling away every day of the week appear at the top of the second painting. In both red, white and blue pieces, she is an American beauty. 2021 (16" x 20" plus frame) Price: $200 each |
Bowled Over
This is the latest in my Shady Business series. It is titled, "Bowled Over." It is painted on pages from a vintage Collier's magazine and considers the game playing that often rules relationships when we refuse to go beyond stereotypes. And just in case you were wondering about the ketchup, I wanted it to function like an introductory clause, such as, “I’m not going to lie to you.” And since it is a condiment, it is supposed to make the truth easier to swallow. In this case, the truth is that the woman bowler is objectifying the five guys.
2021 (16" x 20") Price: $200 |
Close Encounters
With this piece I am playing with those things we observe, and how we also hide behind the reflected images. With the triangular composition, I want the reader's eye to move from one element to another until he or she begins to question what is real and what is imagined. The match in the observer's mouth implies that a fiery transformation is possible. Or perhaps it serves to keep the onlooker quiet? This one is painted on pages from Survival of the Prettiest.
2021 (16" x 20") Price: $200 |
F is for Figure of Speech
This portrait of 1960s fashion model, Jean Shrimpton, captures her in a seemingly private moment, which has, of course, been publicly staged. In her boyfriend shirt, holding a book, she has taken off her glasses to interact more directly with the viewer. She is painted on pages from a vintage dictionary, so several illustrations show through. I especially like it where the drawings appear on the figure's skin. It is a reminder that we are psychologically branded by everything we read.
2020 (24" x 36") Price: $650 |
She's Going Places
This portrait of a young girl engrossed in her book is painted on maps from a geography textbook. Obviously, the message implied is that reading can open a lot of doors for a young girl. I let the maps show through as much as possible, especially on her skin, because I wanted it to appear that she was not only taking in the information, but that it was becoming part of her.
2021 (24" x 36") Price: $650 |
The Temptation of Technology
This mixed media piece was created on pages from a religion textbook. Parts of the image seem to be deteriorating into pixels, while some are being reclaimed by nature in the form of butterflies. The shape of the square often symbolizes stability, while the circle often means wholeness. But the circle can also become a hole, and when placed inside the square, it can eat away at the stability of the structure.
2020 (24" x 36") Not for Sale |
Goodbye Norma Jean
My pixel packed images are intended to illustrate what happens to icons when they are consumed by the public, particularly through the media and the movie industry. At what point does one become more celebrity than flesh and blood. This portrait of Marilyn is completely pixelated with a variety of shapes cut from movie magazines. As Eric Donaldson writes in the song made famous by Elton John, "It seems you lived your life like a candle in the wind..."
2019 (30" x 40") Price: $600 |
Steampunk Madonna
This lovely steampunk lady is painted on pages from a Bible study book and enhanced with brass gears in the background. I wanted the gears to represent the unknown elements that are at work around us every day. And, of course, since we now live in a world of masks, I was interested in the way fictional concepts can infiltrate our reality. While some of my paintings appear to be becoming pixelated into squares, this one is morphing into hexagonal pixels. The hexagon, the shape found in a honeycomb, is considered to be the strongest shape. The hexagon is also often used as a symbol for death.
2020 (24" x 36") Price: $600 |
Anti-Fragile: A Cardboard Artifact Portrait of Frida Kahlo
From my Cardboard Artifacts series, this three dimensional portrait of Magdalena Carmen Frida Kahlo y Calderón is painted on pages from one of her biographies. Details include her monkey earring, a blooming human heart, a skull, and visible chapter titles, such as, "Night Is Falling in My Life." I have always been fascinated by Frida's celebrity. Is she famous because of her circumstances, her personal choices, or her art? The title of this mixed media piece was inspired by a book of the same title by Nassim Nicholas Taleb, Anti-Fragile: Things That Gain From Disorder. I consider also how this concept has impacted my own life. Without the pandemic keeping me at home, I would never have made as much art in the past two years!!!
2021 (24" x 37" x 6") Price: $500 |
Safeway
No show focusing on Madonnas would be complete without, well, a painting of Madonna. Painted on pages from Rock of Ages: A Rolling Stone Encyclopedia of Rock and Roll, this mixed media piece was inspired by a humble Safeway sack. As I was working on this one, I kept thinking of the word "conform," the origin of which is Middle English, meaning to make something like another thing: from the Latin conformare, from con- ‘together’ + formare ‘to form’. I have always thought that to conform meant to give up on originality. And to a certain extent, even from an early age, we are encouraged to conform. In fact, some would say that this is the foundation of our society. It is the "safe way." It doesn't challenge the rules. I also think that a lot of art is a sort of "con" game where we don't know what is really being said.
In the same way my cardboard portrait of Frida centers on the visual, with the circle around her eye, this piece focuses on the auditory sense, thus the circle or target is on her ear. The space along the left margin of the painting features random rock star photos which have been forced to conform to the ups and downs of the corrugations in the cardboard. While not exactly a lenticular effect, the resulting black and white images become unstable and can only be seen from an extreme perspective. The bee on the flower at the lower part of the canvas encourages the viewer to consider which approach to life is most natural. The pixels in the right margin are symbolic of taking a closer look at the things the media presents to us and how much we are willing to be manipulated. 2021 (24" x 39" x 6") Price: $500 |
What Happened, Miss Simone?
This multi-dimensional painting is part of my Background Music series. It was inspired by a documentary of the same name. It considers the life of Nina Simone and the difficulties she faced. Simone, who was a gifted musician, initially wanted to be a concert pianist but was denied the opportunity because of racial discrimination. I chose to paint her in pieces, because her life seemed to fall apart as she pursued her music, struggled with bipolar disorder, and fought relentlessly for civil rights. This piece was painted on classical sheet music as this was the background for Simone's career. The blue-toned squares in the upper left are color negatives of the orange and brown tones that make up the rest of the portrait. They represent the negative aspects that were coming into Simone's life, eventually overtaking her. And I guess you could say it is literally making her blue.
2021 (38" x 38") Price: $1,200 |
She's Come Undone
This nine piece painting features a close-up of Mary, Mother of Jesus. The title was inspired by the lyrics of the song, "She's Come Undone," by the Guess Who. The lyrics say: "She didn't know what she was headed for. And when I found what she was headed for, Mama, it was too late." The sensation of not being able to hold things together guided me to make the painting in several parts. I chose a square format because it symbolizes the subject's attempt to force some kind of understanding on her own situation. The painting was created on pages from a vintage dictionary.
2021 (38" x 38") Price: $1,200 |
Arabelle and the Owl: Madonna Mignon
In hindsight, I wish I had painted this on the pages of an old fairy tale book, because the title sounds like a great one for a fairy tale. It is, however, painted on pages from a vintage dictionary, which seems appropriate since that is a book of knowledge. This is my three year old granddaughter, Arabelle, one of the smartest beings I have ever known. She is like a 40 year old in a two foot tall body! And since infancy she has been crazy for owls. This is a great fit as owls symbolize wisdom. Of course, owls also impart some negative symbolism as well, which heightens the creepy underlying narrative of this piece.
I painted Arabelle in the complementary colors of blue and orange, because both seem to be symbols for the divergent aspects of her personality. The blue represents a prevailing calmness and deliberateness that almost always surrounds her, while the orange represents her enthusiasm, energy and determination. 2021 (30" x 40") Price: Not for Sale |
Social Media Madonna
This is my commentary on social media. It incorporates a disturbed woman on a rotary phone (because while some things may change form, they do not change function), the reflection of an over-the-top screaming, psychedelic woman who is strangely distorted, and a pair of screaming gargoyle/angels who appear to be disturbed by the activities they are observing from above. The piece was painted on pages from a vintage dictionary. It is part of my Shady Business series which explores the things we look at, the things we hide behind, and how our actions are perceived by others. Note: I really like how the accidental placement of the little dictionary illustration looks like a beauty mark.
2021 (24" x 48") Price: $750 |
Electronic Madonna
Electronic Madonna makes her debut! Measuring 4 feet wide and 5 feet tall, this is a big girl with a big message. I am not sure what exactly inspired me to paint an android as a Madonna figure. Perhaps I wanted to go in a very different direction from my previous painting, which was quite classical in both appearance and symbolism. Mostly, I suppose, I wanted to consider those things we do in an attempt to be human. As this figure came to life, so to speak, on the canvas, it struck me that she seems to be almost desperate in her quest.
Instead of holding pearls or a rosary, this woman holds Mardi Gras beads. Not as elegant as pearls, but just as loaded with symbolism. For example, their colors are important. Purple represents justice, green represents faith, and gold represents power. Three worthwhile concepts that should be held close. They could even be said to be the basis of her religion. They are also plastic. This means obviously that they are cheap, but plasticity can mean several things. On a positive note, it implies flexibility. On the other hand, however, plastic objects are considered to be fake, artificial and even insensitive. All of these attributes can be applied likewise to the Madonna. Beads are, of course, decorative. When this idea is carried to the extreme, they can be symbolic of one’s need to please others or to strive for perfection. What then does it say that she is holding a handful of them?
She also casually holds a snake, an image that invokes fear in many because they are unpredictable and can strike at anytime without warning. I wanted the snake to hint at the android’s animal nature, or in this case, her lack of it. She must carry it around with her. Conversely, with its ability to shed its skin, the snake also represents the hope of transformation.
Also within her grasp are a couple of phone chargers. This to me seems like a strange attempt to never lose vigor and life energy, a reminder that an android is dependent on an exterior source, and that she must repeatedly be revitalized. This leads also to a sense of isolation from others. And while only the glow of the telephone is readily visible in the image, the phone chargers are referential to that form of communication and represents the android’s relationships with others--also in this case, disconnected.
Across the Madonna’s left arm there is a bouquet of roses. The plants are there to represent fertility, spiritual development, potential and growth. They may also indicate a desire to be closer to nature. According to Freud, the rose represents the female genitalia. This makes sense as the snake is a phallic symbol. Unfortunately, these roses are plastic. This is not obvious at first, but if you look closely, there is one lone Dollar Store tag still attached to a stem. (Hmmm… once we note this, can we avoid wondering if that is a rubber snake?)
There are, however, some realistic plants in this image. There are some vines around the tops of some of the fence posts. These quickly growing plants indicate that time is passing swiftly, and perhaps even passing the Madonna by--she will soon be an obsolete model.
The choice of color is always deliberate. Consider the background. The magenta represents compassion, while blue is tranquility, openness, truth and wisdom, and purple is the color of royalty and dignity. All of these cool colors lean toward a nighttime palette and are a backdrop to set off the iron fence behind the android. All fences are barriers. They can symbolize a need for protection. If the condition and construction of the fence are analogous to her emotional state, this fence is very open, providing little privacy, letting us know that the subject is willing to let people in. In this case the fence is behind her, which leaves her with only one path, going forward. The fact that it is iron implies a certain harshness. This is further reinforced by the barbs at the top and bottom, which are somewhat camouflaged as a decorative design element. Keep in mind that iron can also be a symbol of strength and endurance.
Apple branches hang from the fence forming a kind of wreath about the Madonna’s head. The apple tree is often a symbol of grandeur and magnificence, while the fruit universally symbolizes knowledge. But these apples are doomed to dry out hanging from their branches on the fence. In fact, they have been further doomed as slices have already been cut from the plumpest ones. Perhaps this is to underscore the temptation often associated with the apple?
The stained glass surrounding the Madonna’s head like an aura, signifies enlightenment, as though she seeks guidance from a higher source. The dominant colors are blue and yellow, calling to mind freshness, and the pattern is one of stylized flowers. But really isn’t this just another example of fake flowers and decoration? Note also that the stained glass window obscures more than it reveals. And it is laced onto the fence with a vine, almost as though the vine has naturally grown there, and yet the viewer knows this is impossible.
Between the uprights of the fence, there are a series of barely visible human skulls--another hint that this robotic woman’s ultimate dream is to become human. But that is not her only dream. Note the “electric sheep” that is perched at the crown of the aura. While the sheep is partially pixelated, the viewer is more inclined to think it is degenerating rather than emerging. In many ways this is indeed a dark painting, leading the viewer to doubt that Electronic Madonna will ever totally achieve her goal.
2019
(4' x 5')
Price: 1,800
Instead of holding pearls or a rosary, this woman holds Mardi Gras beads. Not as elegant as pearls, but just as loaded with symbolism. For example, their colors are important. Purple represents justice, green represents faith, and gold represents power. Three worthwhile concepts that should be held close. They could even be said to be the basis of her religion. They are also plastic. This means obviously that they are cheap, but plasticity can mean several things. On a positive note, it implies flexibility. On the other hand, however, plastic objects are considered to be fake, artificial and even insensitive. All of these attributes can be applied likewise to the Madonna. Beads are, of course, decorative. When this idea is carried to the extreme, they can be symbolic of one’s need to please others or to strive for perfection. What then does it say that she is holding a handful of them?
She also casually holds a snake, an image that invokes fear in many because they are unpredictable and can strike at anytime without warning. I wanted the snake to hint at the android’s animal nature, or in this case, her lack of it. She must carry it around with her. Conversely, with its ability to shed its skin, the snake also represents the hope of transformation.
Also within her grasp are a couple of phone chargers. This to me seems like a strange attempt to never lose vigor and life energy, a reminder that an android is dependent on an exterior source, and that she must repeatedly be revitalized. This leads also to a sense of isolation from others. And while only the glow of the telephone is readily visible in the image, the phone chargers are referential to that form of communication and represents the android’s relationships with others--also in this case, disconnected.
Across the Madonna’s left arm there is a bouquet of roses. The plants are there to represent fertility, spiritual development, potential and growth. They may also indicate a desire to be closer to nature. According to Freud, the rose represents the female genitalia. This makes sense as the snake is a phallic symbol. Unfortunately, these roses are plastic. This is not obvious at first, but if you look closely, there is one lone Dollar Store tag still attached to a stem. (Hmmm… once we note this, can we avoid wondering if that is a rubber snake?)
There are, however, some realistic plants in this image. There are some vines around the tops of some of the fence posts. These quickly growing plants indicate that time is passing swiftly, and perhaps even passing the Madonna by--she will soon be an obsolete model.
The choice of color is always deliberate. Consider the background. The magenta represents compassion, while blue is tranquility, openness, truth and wisdom, and purple is the color of royalty and dignity. All of these cool colors lean toward a nighttime palette and are a backdrop to set off the iron fence behind the android. All fences are barriers. They can symbolize a need for protection. If the condition and construction of the fence are analogous to her emotional state, this fence is very open, providing little privacy, letting us know that the subject is willing to let people in. In this case the fence is behind her, which leaves her with only one path, going forward. The fact that it is iron implies a certain harshness. This is further reinforced by the barbs at the top and bottom, which are somewhat camouflaged as a decorative design element. Keep in mind that iron can also be a symbol of strength and endurance.
Apple branches hang from the fence forming a kind of wreath about the Madonna’s head. The apple tree is often a symbol of grandeur and magnificence, while the fruit universally symbolizes knowledge. But these apples are doomed to dry out hanging from their branches on the fence. In fact, they have been further doomed as slices have already been cut from the plumpest ones. Perhaps this is to underscore the temptation often associated with the apple?
The stained glass surrounding the Madonna’s head like an aura, signifies enlightenment, as though she seeks guidance from a higher source. The dominant colors are blue and yellow, calling to mind freshness, and the pattern is one of stylized flowers. But really isn’t this just another example of fake flowers and decoration? Note also that the stained glass window obscures more than it reveals. And it is laced onto the fence with a vine, almost as though the vine has naturally grown there, and yet the viewer knows this is impossible.
Between the uprights of the fence, there are a series of barely visible human skulls--another hint that this robotic woman’s ultimate dream is to become human. But that is not her only dream. Note the “electric sheep” that is perched at the crown of the aura. While the sheep is partially pixelated, the viewer is more inclined to think it is degenerating rather than emerging. In many ways this is indeed a dark painting, leading the viewer to doubt that Electronic Madonna will ever totally achieve her goal.
2019
(4' x 5')
Price: 1,800
Fish or Cut Bait: Mermaid Madonna
We have all had times in our lives when we realized we were at a turning point and must make a decision that would be irreversible. These feelings of pressure, excitement, fear, adventure? All are expressed through our Mermaid Madonna, and her ambivalence is evident when we examine her surroundings. First of all, where is she? The five portholes visible running across the top third of the canvas tell us that she is submerged underwater. This is a transitional place for her because though her feet are dry, she is definitely immersing herself in the ocean. She just isn’t quite ready to give up those heels as a trade-off for unfurling her tail! Another clue that she has not committed to a permanent life under the sea is the diving helmet near her tail. This is a subtle reminder of the effects of too much baggage which occurs when one refuses to let go by making the tough decisions.
So really, what is a mermaid? In folklore a mermaid has the head and upper body of a woman and the tail of a fish. She is beautiful and she is vain, often depicted combing her long flowing hair and gazing into a mirror. A mermaid’s purpose is to lure sailors and she is therefore forced to rely on beauty and charm. But what if a mermaid had no need of sailors? What if her goals were other? This mythical woman is a shapeshifter! A transmogrifier! But does she rely on divine intervention or the use of magic? She is a modern fantasy. She is the endgame of Pop Culture. But she is not a werewolf, and she is not a vampire! You may fear that her purpose is punitive, but this mermaid is not trying to drown you or drink your blood! And you know, as sea travel historically became less dangerous, so did mermaids! With fewer and fewer tragedies happening to sailors and ships, mermaids slowly evolved into less threatening creatures. A more romantic view of the mermaid was introduced during the 18th century with the Hans Christian Andersen fairytale, “The Little Mermaid.” Since then, mermaids have been perceived more often as secretive and good-natured creatures that have a natural curiosity about life above the sea. In fact shape-shifting is often used as a plot device wherein a female form is perceived as being a threat, when really she has merely set out on a path that is non-traditional.
The aura surrounding the mermaid’s head is a porthole, or a portal--also known as the end of a tunnel, and in most cases, a means of entering another realm. Classically speaking this hints at travel to the land of enlightenment The background of the painting is a stylized shell pattern of repeated scallops. Scallops are generally considered to be free-living and active. The scallop shell has become symbolic of a journey, particularly a spiritual journey. For example, the scallop design symbolizes the many starting points from which pilgrims begin their journeys, and their commonality is symbolized by the fact that they are all drawn to a single point at the base of the shell. This has become such an accepted idea that scallops are still used today in their physical form as indicators or guiding marks that a pilgrim is on the correct path.
Scallop shells have also been used to symbolize the feminine principle which is seen as protective and nurturing. Many paintings of Venus, the Roman goddess of love and fertility, employ a scallop shell this way. Alternatively, the scallop shell is said to resemble the setting sun and encourages the viewer to consider the passage of time. Complex spiral shells such as the conch can be seen as representing security or protection. This indicates that someone is not showing her true self or real feelings. She is protecting herself from getting hurt, and is also reclusive and emotionally closed off. Our mermaid is sitting in a conch shell, but she appears to be emerging from it, not withdrawing into it.
Many of my Madonna paintings feature a string of pearls. In this painting, however, the image of the pearl is a little more in your face. There is only one pearl, signifying the importance of unity of thought and devotion to a singular path. And of course, it emphasizes the idea of growth under pressure. Sometimes we have to be forced into an uncomfortable situation in order to eventually move forward.
As previously referenced, this painting offers a series of five portholes. The number five is often referred to as the link between heaven and earth. It refers to the five senses, and unlike even numbers, it is somewhat unstable, hinting at change and the need to alter your course.
It is common to see round windows in vessels that are subject to stress, and the reason is to avoid weak points which are often found at square corners where cracks can form and develop. An oculus, or circular window, has been observed in classical architecture since the 16th century. They are often called by their French name, “oeil de boeuf” or “bull’s eye.” This implies that they function as a type of target or guiding force, which serves to focus the attention of the viewer. Most of the five portholes here offer views of placid sea water and calmly swimming, if somewhat curious, fish. The fifth one, however, has been pierced by a shark. Sharks are commonly symbolic of anger, hostility and fierceness. If one identifies with this creature, she may be undergoing a long and difficult emotional period and may be seen to be an emotional threat to herself or to others. Perhaps she is struggling with her individuality and independence, especially in some aspect of her relationships. A shark can also represent one who is greedy and unscrupulous. This kind of person goes after what she wants with no regard to the well-being and sensitivity of others. Because of all of these negative connotations, I hesitate to admit that I am the self proclaimed “Art Shark.” Certain aspects of this description do indeed fit me. I like to think, however, that I am more aligned with the relentlessly hard working aspects of the shark than the greedy grasping traits! Of course, due to the phallic nature of the encroaching shark, perhaps the mermaid does not identify with it, but instead fears it.
In the shark’s mouth the viewer will find an alarm clock. I put this here because I have an ongoing adversarial relationship with the concept of time. I also wanted to underscore the idea that the mermaid is subjected to the ticking clock with regard to her need to make a choice about her destiny. The fact that this is an alarm clock is significant. Perhaps the mermaid is alarmed and concerned that she is being forced to make a decision, and therefore feels as though her time is running out. Note that the time on the clock is set at 10:10. This is, interestingly enough, the time that most clocks are set at when they are being sold because it gives the illusion of two upraised hands, hopefully an uplifting bit of symbolism.
The porthole nearest the head of the mermaid forms a halo around her head and is surrounded by eleven red starfish. These famous five-pronged fish are usually associated with a period of healing and regeneration. Alternatively, they suggest that the mermaid has many options to weigh and decisions to make. Stars in general can signify a desire for fame and fortune. Since we have already discussed time, it is no coincidence that there are eleven stars. It is the eleventh hour and this girl must make a choice.
The third porthole features a close-up view of a blue iris. You could say in effect that this is the third eye. This traditionally refers to the gate that leads to inner realms and spaces of higher consciousness. People who claim to have the capacity to utilize their third eyes are sometimes known as seers. The presence of the eye in the third opening suggests that the mermaid needs to look within and on a higher plane to find her answers.
The view of the ocean through the portholes allows the viewer to peer into the emotions and feelings of the painting’s subject. The ocean is generally indicative of spiritual refreshment, tranquility and renewal. It universally leaves one feeling empowered and unhindered, as though one has a positive outlook on life and is not limited by anything. Sailing across the ocean typically signifies new found freedom and independence.
The cumbersome diving helmet in the bottom right of the painting maintains an ominous presence. If the mermaid chooses to remain human, this is the only way she will be able to function underwater. Subconsciously, when one considers diving in general, she is trying to get to the bottom of a current situation or the root of her problems or feelings. It seem significant then that the mermaid’s tale is somewhat obscuring the helmet.
The porthole directly over the head of the mermaid features a golden fish. This functions almost like a glowing crown, and it symbolizes riches, natural healing, illumination and spirituality. That the fish is nearest to the subject is perhaps a positive signifier that the mermaid will surely gain access to these concepts and abilities.
At the base of the painting, there rests a pair of red shoes. In general, shoes represent one’s approach to life--their path. Wearing shoes indicates that one is well-grounded or down to earth. It represents her convictions about her beliefs. If you are changing your shoes, this refers to your changing roles-you are taking a new approach to life. But if you set your shoes aside or forget them, it suggests that you are leaving behind your inhibitions, or perhaps that you are refusing to conform to some idea or attitude. That the shoes are red like the stars forces a connection or comparision. If the stars represent the woman’s spiritual life, the shoes can be seen to exist entirely on the physical plane. They seem to be cast aside, but not completely shunned. Will the mermaid turn away from her earthly, human body, or does the presence of the shoes signify that she is conflicted and and hesitant to do so?
The empty electrical socket at the bottom left indicates perhaps that not all assets are being utilized. Or maybe it is warning that there is a distinct division, a wall if you will, between the world of water and the world of dry land. In other words, there is no going back once the decision has been made.
2019
(4' x 5')
Price: Not for Sale
So really, what is a mermaid? In folklore a mermaid has the head and upper body of a woman and the tail of a fish. She is beautiful and she is vain, often depicted combing her long flowing hair and gazing into a mirror. A mermaid’s purpose is to lure sailors and she is therefore forced to rely on beauty and charm. But what if a mermaid had no need of sailors? What if her goals were other? This mythical woman is a shapeshifter! A transmogrifier! But does she rely on divine intervention or the use of magic? She is a modern fantasy. She is the endgame of Pop Culture. But she is not a werewolf, and she is not a vampire! You may fear that her purpose is punitive, but this mermaid is not trying to drown you or drink your blood! And you know, as sea travel historically became less dangerous, so did mermaids! With fewer and fewer tragedies happening to sailors and ships, mermaids slowly evolved into less threatening creatures. A more romantic view of the mermaid was introduced during the 18th century with the Hans Christian Andersen fairytale, “The Little Mermaid.” Since then, mermaids have been perceived more often as secretive and good-natured creatures that have a natural curiosity about life above the sea. In fact shape-shifting is often used as a plot device wherein a female form is perceived as being a threat, when really she has merely set out on a path that is non-traditional.
The aura surrounding the mermaid’s head is a porthole, or a portal--also known as the end of a tunnel, and in most cases, a means of entering another realm. Classically speaking this hints at travel to the land of enlightenment The background of the painting is a stylized shell pattern of repeated scallops. Scallops are generally considered to be free-living and active. The scallop shell has become symbolic of a journey, particularly a spiritual journey. For example, the scallop design symbolizes the many starting points from which pilgrims begin their journeys, and their commonality is symbolized by the fact that they are all drawn to a single point at the base of the shell. This has become such an accepted idea that scallops are still used today in their physical form as indicators or guiding marks that a pilgrim is on the correct path.
Scallop shells have also been used to symbolize the feminine principle which is seen as protective and nurturing. Many paintings of Venus, the Roman goddess of love and fertility, employ a scallop shell this way. Alternatively, the scallop shell is said to resemble the setting sun and encourages the viewer to consider the passage of time. Complex spiral shells such as the conch can be seen as representing security or protection. This indicates that someone is not showing her true self or real feelings. She is protecting herself from getting hurt, and is also reclusive and emotionally closed off. Our mermaid is sitting in a conch shell, but she appears to be emerging from it, not withdrawing into it.
Many of my Madonna paintings feature a string of pearls. In this painting, however, the image of the pearl is a little more in your face. There is only one pearl, signifying the importance of unity of thought and devotion to a singular path. And of course, it emphasizes the idea of growth under pressure. Sometimes we have to be forced into an uncomfortable situation in order to eventually move forward.
As previously referenced, this painting offers a series of five portholes. The number five is often referred to as the link between heaven and earth. It refers to the five senses, and unlike even numbers, it is somewhat unstable, hinting at change and the need to alter your course.
It is common to see round windows in vessels that are subject to stress, and the reason is to avoid weak points which are often found at square corners where cracks can form and develop. An oculus, or circular window, has been observed in classical architecture since the 16th century. They are often called by their French name, “oeil de boeuf” or “bull’s eye.” This implies that they function as a type of target or guiding force, which serves to focus the attention of the viewer. Most of the five portholes here offer views of placid sea water and calmly swimming, if somewhat curious, fish. The fifth one, however, has been pierced by a shark. Sharks are commonly symbolic of anger, hostility and fierceness. If one identifies with this creature, she may be undergoing a long and difficult emotional period and may be seen to be an emotional threat to herself or to others. Perhaps she is struggling with her individuality and independence, especially in some aspect of her relationships. A shark can also represent one who is greedy and unscrupulous. This kind of person goes after what she wants with no regard to the well-being and sensitivity of others. Because of all of these negative connotations, I hesitate to admit that I am the self proclaimed “Art Shark.” Certain aspects of this description do indeed fit me. I like to think, however, that I am more aligned with the relentlessly hard working aspects of the shark than the greedy grasping traits! Of course, due to the phallic nature of the encroaching shark, perhaps the mermaid does not identify with it, but instead fears it.
In the shark’s mouth the viewer will find an alarm clock. I put this here because I have an ongoing adversarial relationship with the concept of time. I also wanted to underscore the idea that the mermaid is subjected to the ticking clock with regard to her need to make a choice about her destiny. The fact that this is an alarm clock is significant. Perhaps the mermaid is alarmed and concerned that she is being forced to make a decision, and therefore feels as though her time is running out. Note that the time on the clock is set at 10:10. This is, interestingly enough, the time that most clocks are set at when they are being sold because it gives the illusion of two upraised hands, hopefully an uplifting bit of symbolism.
The porthole nearest the head of the mermaid forms a halo around her head and is surrounded by eleven red starfish. These famous five-pronged fish are usually associated with a period of healing and regeneration. Alternatively, they suggest that the mermaid has many options to weigh and decisions to make. Stars in general can signify a desire for fame and fortune. Since we have already discussed time, it is no coincidence that there are eleven stars. It is the eleventh hour and this girl must make a choice.
The third porthole features a close-up view of a blue iris. You could say in effect that this is the third eye. This traditionally refers to the gate that leads to inner realms and spaces of higher consciousness. People who claim to have the capacity to utilize their third eyes are sometimes known as seers. The presence of the eye in the third opening suggests that the mermaid needs to look within and on a higher plane to find her answers.
The view of the ocean through the portholes allows the viewer to peer into the emotions and feelings of the painting’s subject. The ocean is generally indicative of spiritual refreshment, tranquility and renewal. It universally leaves one feeling empowered and unhindered, as though one has a positive outlook on life and is not limited by anything. Sailing across the ocean typically signifies new found freedom and independence.
The cumbersome diving helmet in the bottom right of the painting maintains an ominous presence. If the mermaid chooses to remain human, this is the only way she will be able to function underwater. Subconsciously, when one considers diving in general, she is trying to get to the bottom of a current situation or the root of her problems or feelings. It seem significant then that the mermaid’s tale is somewhat obscuring the helmet.
The porthole directly over the head of the mermaid features a golden fish. This functions almost like a glowing crown, and it symbolizes riches, natural healing, illumination and spirituality. That the fish is nearest to the subject is perhaps a positive signifier that the mermaid will surely gain access to these concepts and abilities.
At the base of the painting, there rests a pair of red shoes. In general, shoes represent one’s approach to life--their path. Wearing shoes indicates that one is well-grounded or down to earth. It represents her convictions about her beliefs. If you are changing your shoes, this refers to your changing roles-you are taking a new approach to life. But if you set your shoes aside or forget them, it suggests that you are leaving behind your inhibitions, or perhaps that you are refusing to conform to some idea or attitude. That the shoes are red like the stars forces a connection or comparision. If the stars represent the woman’s spiritual life, the shoes can be seen to exist entirely on the physical plane. They seem to be cast aside, but not completely shunned. Will the mermaid turn away from her earthly, human body, or does the presence of the shoes signify that she is conflicted and and hesitant to do so?
The empty electrical socket at the bottom left indicates perhaps that not all assets are being utilized. Or maybe it is warning that there is a distinct division, a wall if you will, between the world of water and the world of dry land. In other words, there is no going back once the decision has been made.
2019
(4' x 5')
Price: Not for Sale
Hot Mama!
This painting was inspired by memories of time spent at the beauty parlor with my grandmother when I was a small child. Every Saturday morning, she was the first one in the door of the turquoise tinted salon where she would spend the next two hours being shampooed, curled, brushed out, styled and shellacked. This left her with a somewhat curly, somewhat fluffy coiffure that was very much at risk in the elements of nature.
The background refers in a subtle way to the notion that women who put themselves through this routine become like hothouse flowers. The popcorn box hints at the potential for transformation, but even that seems to be somewhat like forcing a flower to bloom in an artificial way. The flames indicate that things could go horribly wrong. And this woman looks like she is about to pop! The electric coil that forms her halo represents industry, science and progress--all components of the beauty business. It also gives a nod to the stereotypical domestic goddess that had been the ideal in the not so distant past. And as the neon icon at the apex of the painting reveals, this whole idea of pursuing beauty is revealed as often being in fact the pursuit of love. 2019 (36" x 48") Price: $1,500 |
Oracle
With this painting I wanted to draw attention to the subtleties of our environment while also highlighting the mysteries that surround us. This piece reminds us of the intricacies that exist at the atomic level where everything vibrates with energy! It plays with the multiple meanings of the word illumination, considers reflected light, reflection as a thought process, and takes a leap into the mystical realms of foresight, prediction, and potential.
The background was inspired by a window in a famous painting by John William Waterhouse, titled, "Consulting the Oracle." (Interesting side note: To "consult the oracle" has become a modern synonym for Googling something.) Utilizing the full moon, setting it in the background of a starry night sky, I have, in effect, disembodied the female figure, leaving her floating about the moon, which becomes a kind of hole in the sky, perhaps a portal, or at least a recognition of otherness. I have cast Viola Davis in the role of Oracle because I was inspired by her words: "Vanity destroys your work. That's the one thing you have to let go of as an actor. I don't care how sexy or beautiful any woman is. At the end of the day, she has to take her makeup off. At the end of the day, she's more than just pretty." 2019 (30" x 48") Price: $1,200 |
Gone Off the Deep End
If you say that someone has gone off the deep end, you may be be saying that their mind has stopped working in a normal way and that their behavior has become very strange as a result. It can also be a metaphor for coping with the unfamiliar. Sadly, throughout history women who have behaved in unexpected ways have often been considered to be deranged. Note the subtle aura that surrounds the diver's head, as though it is an aura or a nimbus attempting to draw the viewer's eye from her body to her brain. This Pop Art portrait was inspired by a series of black and white underwater photos of model Andrea Dromm in a 1967 copy of LOOK magazine. Dromm was best known as the Clairol "Summer Blonde" girl, and for her appearance in a National Airlines television commercial in 1963 as the stewardess asking, "Is this any way to run an airline? You bet it is!" She went on to have a successful acting career.
2021 (4' x 5') SOLD |
The Next Big Thing
This piece was inspired by the recent focus on the possible presence of aliens and UFOs. I chose an Asian woman to represent humanity, because I wanted to reinforce the idea that if it ever comes down, the whole alien invasion thing, it will be, ironically, the ultimate unifying factor--it will be so much bigger than the U.S.A.
2021 (4' x 5') Price: $1,500 |
Self Quarantine
Gypsy Regina
The star and moon imagery offer a nod to mysticism, while the bees and herb garlands underscore a connection to nature. The bees are small but mighty as they contain lots of symbolism including wealth, good luck, harmony, creativity and bliss. The dartboard acts as the nimbus behind the Madonna's head, because Gypsies have historically been targeted as being disreputable. The shutters represent our need to sometimes close ourselves off from others as a protective response.
2020 (36" x 48") Price: $1,500 |
Hotline
When I began this piece, I was thinking about my grandmother and women of her era, what I have come to think of as the "apron generation." I pondered their domestic activities--things like cooking, and cleaning, and ironing. I recalled that my grandmother kept her ironing in a bag in the refrigerator so it wouldn't mold before she could get to it. I remembered her "sprinkling bottle," a Coke bottle with a sprinkler top that she used to moisten the clothes so she could steam them. I thought of how many women smoked and hid their smoking. I considered the conditions women of that era must have endured who attempted to get an abortion, their daily lives, digging through their button boxes to find a needed replacement and the care with which they sewed on the new buttons. The blue buttons symbolize the way women are often forced to keep their negative feelings buttoned up. I also contemplated the sadness they encountered when they became nothing more than gossip on the phone lines of other women. And that. That brought me to tears. The fact that women don't support each other when they need support the most. My grandmother used to tell me,"Don't take any wooden nickels." This phrase refers to souvenir tokens that were given out instead of money, usually as a form of advertising. They were basically worthless, so accepting them equated with being naive. In this painting the wooden nickel functions as the aura around the woman's head and symbolizes betrayal.
2020 (36" x 48") Price: $1,500 |