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Cheryl Hicks
has been published in Crate, Halfway Down the Stairs, Southern Hum, The First Line, The Best of the First Line: Editors’ Picks 2002-2006, Families: The Frontline of Pluralism, The Remembrance Project at Howard University, Borderlands: Texas Poetry Review, Missive, Other Poetry (UK), Juice, Poems-For-All, Literal Translations, Toward the Light (Canada), Generations Literary Magazine, The Sigurd Journal, Ginosko, Eskimo Pie, Haggard and Halloo, Downer Magazine, Urban Spaghetti, Blue Fifth Review, Heliotrope, Makar, Snakeskin (UK), HerCircle, Wising Up Press, The Orphan Leaf Review (UK), Be Brave-Lose the Beige, Slit Your Wrists, Down in the Dirt, Corvus, the delinquent (UK), Autumn Sky Poetry, Silent Actor, Avatar Review, Word Riot, Clockwise Cat, Monkey Kettle (UK), THEMA, Washington Literary Review, Vector Press, Weekenders Magazine, Cahoodaloodling, The Prompt Literary Magazine, Dumb Butt Mag, Houseboat, Shakespeare’s Monkey Review, Side B Magazine, Mandrake Poetry Review, Santa Anna River Review, Taj Mahal Review, and Unquiet Desperation (UK). She has been a featured poet at C/Oasis, is a previous recipient of the Paddock Poetry Award and presented poems from her series titled Conversations with the Virgin at the 2006 Rocky Mountain Modern Language Association Conference in Tucson, Arizona. Hicks’ art has been shown across Texas and in New York, and her art has appeared in Atticus Review, Granny Smith, Scissors and Spackle, CELLA’s Round Trip, Anti-, Blue Print Review, and Creative Soup. Her mixed media work was featured at the Fort Worth Contemporary in July 2008.